How to Write Rounded Characters (and Avoid the Disney Princess Paradigm)

Creating new characters is like giving birth. Minus the nine months of pregnancy, morning sickness, and the whole "push a human out of your lady tunnel" part. And, just as if they were your own children, it's normal to want your mind babies to be perfect and unflawed.

But, in novels, character with flaws are often the most compelling.

Early Disney princesses come to mind as being the opposite of compelling. They are totally flat. Flatter than a piece of cardboard that's been trampled by a herd of elephants.

Cinderella is perfect: perfectly kind and perfectly hardworking. Princess Aurora is perfect: perfectly sweet and perfectly elegant. Snow White is perfect: perfectly innocent and perfectly pure. You seeing the trend? I call it the "Disney Princess Paradigm." Stop clapping, Snow White, it's not a compliment!

Those are a lot of good and admirable traits, don't get me wrong. But that's the problem: they're too good. They're too perfect.

And the problem with being perfect is that there's very little room for growth. What did any of those princesses learn from their stories? Can you think of a single thing? Anything?... Bueller?... Bueller?

Nothing, right!?

Real people are flawed with insecurities, fears, jealousies, etc. For every trait at one end of the spectrum, there should be a number at the other. And it's these negative traits that necessitate character growth, that force a person to confront their flaws and overcome them. And sometimes it's these traits that a reader can connect with. There's something powerful in being able to relate, to see your own mistakes and reactions and flaws in someone else. So you *puts bossy pants on* HAVE to create engaging, well-rounded characters.

To ensure my characters have positive traits AND negative traits/flaws and to keep them unpredictable and layered, I came up with a method I call the "U-List Method."

I do this for each of my characters before I start writing (though it might change as the story is written and as characters fall more solidly into place). Here's what it looks like:

Take your characters (main and minor) and apply this method to them. Draw a U, or a horseshoe if you're feeling fancy, and make a list along the "U," positive traits on the left, neutral at the bottom, and negative to the right. Here's a great list of traits some kind soul has already categorized.
Make sure your character's u-list is well balanced in each of these areas. Having a number of positive, neutral, and negative traits gives characters three-dimension. And knowing your character's main traits can really help you to understand them and how they would act/respond to happenings in your story.

Remember: negative traits don't always mean your character is bad. A character that's stubborn might also mean that he/she doesn't follow the crowd. A character that seems overly-sensitive might also be more compassionate. Make your villain idealistic and honest, make your hero gullible and impatient.

To every coin there are two sides, the same can be said of personalities. And that's what makes people so interesting. And it's what will make your characters more interesting as well.

So go forth, my fellow wordfolk, and unleash your rounded character creations on the world!
 

~Be mindful of a person's strengths and weaknesses. Some strengths can be a flaw and some weaknesses a blessing.~

Vampire Mythos: Magic vs Science

This is a guest post I did for Pen and Kink Publishing's blog series on vampires! Find the original post here.

As the publishing world seems to finally be making room (albeit the little space at a crowded party next to the trashcan that smells a little funny) for our favorite supernaturals again, I wanted to repost this to my blog and continue to advocate for the paranormal and urban fantasy genres that are feeling the hole left by vampire fiction. I WANT MY VAMPS BACK. Just don't make them sparkle...

****

The earliest origin of vampire mythology can be traced back to the superstitions and folklore of 18th century Europe. What once was an all too real and malevolent creature is now mostly accepted (though if you dig deep into the bowels of the internet you’ll find otherwise) as a fictional being, one that permeates mainstream media across the board. Our modern vampires, immortal by definition, but also through our timeless fascination with them, are an intrinsic part of today’s creatures in literature, movies, and TV shows. They just suck in all the right ways.

Though they sometimes find themselves back in the proverbial coffin as media trends change, they always seem to dig themselves back out of the grave. They are the “undead,” after all.

But with this constant recurrence and on-and-off trending comes the need to reinvent vampires for younger and older generations alike. You see small variations in their abilities or their weaknesses, but now we’re starting to see a change in their mythology and origins.

Bram Stoker’s Dracula, published in 1897, was hardly the first case of the literary vampire (see Sheridan Le Fanu’s Carmilla and Polidori’s poem, The Vampyre), but it’s arguably the most famous and what really started our fascination (and sometimes our obsession) with vampires. It was certainly the reference point and inspiration for many vampiric tales, and perhaps acted as the foundation on which much of modern vampire mythology was based upon.

But Stoker’s enthralling gothic horror, wherein vampires were cold and merciless predators, started to change with Anne Rice’s Interview with the Vampire, which shifted towards a more sympathetic creature, one whose life was a lament over eternity and the need to kill others to survive. With Rice, began a more modern trend to place vampires within a contemporary setting and in a more benevolent light (though not always; BURN THOSE PARISIAN BASTARDS TO THE GROUND. Ahem…).

It’s a trend we still see much more commonly today, especially as paranormal romance and erotica took root and flourished with Sookie Stackhouse’s vampire lovers and Bella Swan’s sparkly, golden-eyed bloodsuckers, which have all served as a sort of sex symbol that are still built upon Stoker’s vampire mythology: origins in supernatural magic.

Regardless of the setting, or scewability, of vampires in stories to come, Stoker set the standard for their mythos. Their bloodthirsty afflictions are most commonly the result of some supernatural curse, ancient evil, or magic, radioactive bat bite.

It’s only recently that we’ve started to see a change in the origins of our fictional vampires.

While mythologies rooted in magic or curses usually leads to the sexier, more romance-worthy vampires, science-based origins—which take vampires from paranormal fantasy to Sci-Fi—often exist at the opposite end of the spectrum.

Since parts of vampirism are likely inspired by real-life diseases like anemia, porphyria, and catalepsy, it’s natural that their origins would start to lean more towards the scientific.A virus or disease based mythology often morphs vampires from alluring, sparkly dreamboats to ravenous, primal monstrosities. Novels like Richard Matheson’s I Am Legend, the TV series The Strain, and even horror-flop

Daybreakers, mark this relatively new departure from the supernatural to science fiction. In the Underworld movie-verse, transgenics are responsible for vampirism. In I Am Legend, it’s a bacterial pandemic. In my own story, vampirism is rooted in evolution as an environmental transmutation.

But no matter where the mythos lies, with magic or science, vampires are likely to stay with us for all of eternity. The mythology surrounding them and the origins of their affliction will continue to change in new and exciting ways, especially as we eagerly await their resurrection in the current publishing market.

It’s likely we’ll soon see vampires as we’ve never seen them before, as they claw their way back to the forefront of our imaginations.

Whether you’ll be arming yourself with stakes, unlocking your windows for the more sparkly varieties, or eyeing the bat that seems to be circling your home, vampires will continue to haunt and infatuate us for generations.

Man. I couldn't find a good spot for this gif, but it's so LOL I couldn't leave it out!

October in Review

October is arguably my favorite month of the year. It holds my favorite holiday, the weather FINALLY starts to become bearable, and I always find the last fourth of the year to be the best of all. It was a mixed batch of eye/brain candy this month. I finished the last of the books on the hype trains, and got back to reading stories I was genuinely interested in. This month was all about NaNoWriMo prep and part of that involved researching whimsical narrative voice and how to best capture it for my own story. Don't think I've quite got it yet, but I'm getting there!

*This is so late. Holy CRAP, this is so late. But I think we can all agree late Oct to early Nov were utter poop because of this election, so I'm writing this post an excused tardy slip because of the orange hate clown.* 

Howl's Moving Castle by Diane Wynne Jones. 7/10

I feel like such a traitor for liking the movie more than the book... Maybe it's because I saw the movie first and have always been so enchanted by Miyazaki's movies that it never stood a chance at the favorites-game. While the book was still magical in all the right ways (superbly unique characters and a subtle humor and snark that is unexpected), there were a few moments that detracted from the story as a whole and one moment in particular that broke down that fourth wall completely and made me wholly and uncomfortably aware that I was just sitting in bed, in the real world, reading a book. And that's NEVER a good thing. I don't believe it's ever a good idea to pull your reader out of an immersive journey.

****SPOILER ALERT*****

For me, this happened when we find out that Howl is actually just a somewhat ordinary man from very ordinary (and kind of bleak) Wales who somehow found his way into other worlds. This horrified me. When we stepped onto that street in Wales, Howl wearing a football jacket and walking into an ordinary house, it pulled me out of the story completely as it lost much of its enchantment. What an odd choice to make in such a vivid, otherworldly story. It seemed totally unnecessary and I can't see what it added to the story AT ALL, other than to undermine all of the magic and beautiful world building the book strove to paint up until that point. WHY DIANA, WHY?

But our beloved characters were still a joy to follow, though they were much more flawed and even slightly anti-hero compared to their movie counterparts. I still laughed out loud at Sophie's old lady-isms and sass and the tantrums Howl throws. And marveled at what incredibly unique and complex and enjoyable characters Howl and Calcifer were. Book Calcifer definitely trumped movie Calcifer (even with Billy Crystal's superb voice acting. Sorry, Billy).

All in all, definitely recommend this story for all ages! I can see myself reading it again someday, and then maybe AGAIN to some little mini-me's if I ever decide to have them!   

A Torch Against the Night by Sabaa Tahir. 4/10

Okay, in my review of Ember in September, I said the following: "I have every bit of confidence that the sequel will find its stride..." I was wrong. WHY? WHY DID I HAVE TO BE WRONG?

I had to drag myself to the end of this book. I was skimming left and right. Tahir is a phenomenal
writer. She really is. Her prose is A+. But her world building, plot, and characters are not at the same level. They constantly undermine their own strengths as characters, quite often acting what felt to be OUT of character, and that just made me lose interest in them and their journey.

I think there was something fundamentally wrong with the direction the plot took, and when it started down this path it felt like there was no saving it. Aspects of the story became superficial and obvious. And then there was the gratuitous gore and violence. Sometimes, the absence of those moments in lieu of the sound of it, the smell of it, the aftermath, etc, is more potent. Leaving it up to the imagination can be the greatest thing you can do for morbid moments. As soon as she was sticking daggers into children and slitting throats I lost respect for the story. It was an unnecessary grab for that SHOCK factor to make up for a lack of genuine tension and purposefully constructed moments.

And THEN there were all the obvious questions that NONE of the characters were asking (how about when that efrit asked Laia what SHE was and there was NO discussion of that after the fact). We knew just as much as they did through their POVs and I was sat there, as the reader, yelling HELLO?

This series has been a flop for me so far and I hate it. There was so much hype. So much potential. And it all fell flat.

Magnificent Seven: 8/10. Typical Western, so expect revenge, gunfights, and lots of death. I personally love Westerns, and this was true to the genre in every sense while updating it with a kind of superhero movie feel. The A-list cast certainly didn't hurt it either ;) Eye candy for everyone.

Storks: 3/10. NO. BAD, STORKS, BAD! The wolves were literally the only redeemable thing about this movie.

Miss Peregrine's Home for Peculiar Children: 6/10. Tim Burton's version of the X-Men. Meh all around. But Ava Green is a Goddess and is phenomenal and fierce as always. *heart eyes*

10 Cloverfield Lane: 8/10. Was on the edge of my seat the whole time. Absolutely fantastic. Not giving any of it away. INTENSE x 100000000 

~Be mindful of the the things that precious time is spent on.~

#WIPChallenge: Monthly Blog Challenges for Writers

If you're a writer, chances are you've got a WIP going. Maybe you've got multiple! 

And sometimes it helps to delve into your new story in ways you hadn't thought of before. Sometimes it helps to develop your characters outside of the main plot of your story. Sometimes it helps to share about your WIP to keep up your motivation and to renew your enthusiasm. Sometimes none of that helps and everything feels like crap and you just need chocolate... But it ALWAYS helps to connect with other writers who are there in the writing trenches with you. 

#WIPChallenge is a new challenge for writers. 

Starting in January, on the first of every month there will be a prompt for a blog or twitter post that will challenge you to use your WIP to write, develop, share, or connect.

Come back on the first of every month to look for the new challenge or keep an eye on the hashtag! Share your posts on Twitter using #WIPChallenge. 

Then, on the last day of every month, we'll host a Twitter chat about WIPs, the theme of the month, what you learned, and any other writing related topic that comes up, on #WIPChat. JOIN US, FRIENDS!

BACK TO BASICS: 5 Elements of a Story

I've been wanting to get back to the basics for some time now. When you're neck deep in edits or revisions or a second or third draft, or even outlining your next story, it's easy to get caught up in the complexities of writing. It's easy to get distracted by the beat sheets, and what everyone else is doing, and what you feel like you're doing wrong, and the filler words, and god, whatever the hell else we writers fret over.

So I really want to focus on going back to the most basic aspects of writing a novel, the essential parts that make up every, single story out there. Dig in, kiddies. Take out your handy-dandy notebooks.  Let's start with the main elements of a story and some tips for incorporating them well!

5 Main Elements of a Story

1. Storyworld
-This is the world in which your story takes place. It encompasses the setting (including both place and time) and focuses on specific aspects that create the climate and catalyst for the plot of your story.

-Natural World

-Cultural Groups

-Backdrop for Conflict - 

political/religious/cultural/personal

^This is key. You must have a status quo (the way things are) and a weak point that makes that status quo ripe for change. Here's a sample of how this might work:

Scenario: Cultural Change/Rebellion. Status Quo: Life as it's always been. Weak Point: Repressive rulers, emboldened rebels, new ideas in a stagnant situation.

2. Characters

-Characters must--MUST--be three-dimensional. See this post on how to create them.

-Every character should have a distinct voice. You should be able to remove dialogue tags and still know who is speaking.

-Fill out the following for each character: (it will help define their motivations)

---Values:
---Ambition:
---Story Goal: (every character should have their own story goal, since EVERY character, in their own mind, is the hero of their OWN version of your story.)

3. Plot (Structure)

-First, establish the story question for your manuscript. That is, a very simple question that defines the major, overarching conflict of the story. For example, the story question for STAR WARS is "Will Luke and the Rebel Alliance succeed in destroying the Death Star?" 

-Try to use a three act structure: a set up, a sequence of major disasters, and an ending. The disasters must escalate each time.
Act I. Takes up 1/4 of the story and ends in a major disaster that makes the main character fully commit to the story.
Act II. Takes up 2/4 and 3/4. Each ends with a worse disaster.
Act III. Takes up the last 4/4. Includes the climax/resolution. Answers the story question.

-Every scene/chapter must be forward moving and have specific purpose. There can be NO superfluous moments. Every single scene must drive the plot forward. Ask yourself often, "If I remove this scene/character/dialogue/chapter, will if affect the plot at all?" If the answer is yes, scrap it/don't put it in there!

4. Theme

-Theme is typically the moral of the story. It's the main idea that ties everything together. It's the underlying message from the author that lurks on every page, but isn't actually visible. It's usually an expression of opinion concerning a universal reality of the human condition or society.   

5. Style

-Style is what makes you unique as a writer. It is the point of view, the tense, the tone, and the narrator you choose. But it is also the grammar, the sentence lengths, the word choices, the imagery used, and the flow of your story. And that's just to name a few.

Okay, not quite what I meant, but this guy DOES have style. 

Beautiful Books: Introduce Your NaNoWriMo Novel

So excited to be taking part in another glorious link-up from these ladies! Come, join us in this celebration of new creative life! 

1. What inspired the idea for your novel, and how long have you had the idea? 

APOTHECARIUM, like all my stories, started counter-intuitively, with the title. I was sitting with my SO talking about the fantasy he was reading and for some reason the word came to mind. I remember saying, "That would make a great book title." This was a few months ago, and it's been only in the last few weeks that I've come up with a story to go with the title!

2. Describe what your novel is about!

Because I refuse to let queries bite me on me arse anymore, I've decided to write them before I even start writing! It's actually been a great practice so far and I find having the query already written helps to keep me focused. Here 'tis:

Ever since seventeen-year-old Sofia was little, Baba Nina has seen her future in the tea leaves at the bottom of her cup. It is always the same: "Your name shall be known throughout the Kingdom." Sofia didn't think much of her grandmother's prophecies, until she is recruited as an apprentice apothecary at the world-renowned Apothecarium. As her skills quickly surpass Master Volet's, suddenly Baba's predictions seem to be coming true.

But for a much different reason.

When word of her famous concoctions reach royal ears, Sofia is summoned to the capital of Balka to administer one of her potions to the ailing King Madin. But when he ends up poisoned instead of cured, Sofia is accused of attempted assassination and treason.

Scheduled to be executed, Sofia’s only chance at redemption is to find the plants needed for a remedy that does not yet exist. One that only she can create. To save the king and the Apothecarium, and to keep her head firmly attached to her neck, Sofia must journey to find the ingredients for the cure and figure out who framed her.

3. What is your book’s aesthetic? Use words or photos or whatever you like!

Apothecary jars. Dried herbs. Mossy forest floors. The light at dawn and dusk. Watercolors. ALL THE WATERCOLORS! Think Studio Ghibli.

4. Introduce us to each of your characters!

Top left: Ru. Top right: Sofia. Bottom left: Master Vi Volet. Bottom right: Prince Edin. 

Sofia Lulena (MC): 17-year-old apothecary-in-training. Ever since she was little she has been able to "speak" with plants to learn their secrets and what properties they hold. Sometimes they'll tell her how to make a remedy for a cold. Or a drink that increases fertility. Or, on a moonlit night, a tasteless poison that could kill twenty men with just a drop. She's led a sheltered life in her village and is overwhelmed by the enormity of the world at first, but dives in headfirst to follow her destiny.

Know-it-all. Cocky. Hardworking. Empathetic. Stubborn. Naive.

Master Volet: World-renowned apothecary and owner of the Apothecarium. Older than he looks. Said to know the recipe for a potion that grants eternal youth.  

Transgender. Eccentric. Haughty. Vain. Compassionate. Wise.

Prince Edin: (pronounced like "eden") Sole heir to the Balkan throne, 19-year-old Prince Edin is the spitting image of King Madin and has the love of the Balkan people, rich and poor alike. Many would rather see him on the throne than his father. Skilled fighter and much more intelligent and strategic than he lets on.

Light-hearted. Competent. Generous. Charismatic. Driven. Unyielding. Flirtatious.

Ru (short for Ruinous, the name the king gave him): Prince Edin's 18-year-old half-brother. Illegitimate son of Queen Adolise and a Vatani man she refuses to reveal. Because of his Vatani blood, he was able to learn magic and acts as the Queen's personal guard-mage. Has no love for the king, who unsuccessfully tried to cut out Bast's golden, Vatani eye when he was an infant. The attempt left him with a scar and the King's eternal disdain for being a reminder of his wife's affair with Balka's enemy. 

Temperamental. Blunt. Calculating. Sarcastic. Loyal. Courageous. Just. 

5. How do you prepare to write? (Outline, research, stocking up on chocolate, howling, etc.?)

Character bios and world building. I live for it. This is my favorite part. You know the Sims games? I would spend hours creating my Sims and building their houses (rosebud for the win) and then play for 5 minutes and peace out. It's kind of like that. Pinterest is my prep-partner. 

6. What are you most looking forward to about this novel?

The character relationships, the settings, and the plot twists. All are so clear in my mind. And the romance. I'm really excited about the romance. *girlish giggle* 

7. List 3 things about your novel’s setting.

It's going to be colorful with varying landscapes and cityscapes. It's set in a time when technology is new and just starting to change how a society functions (for better and worse). It's set in a world split three ways (represented by each country): a dependence on science, a reliance on magic, and a coexistence with nature.   

8. What’s your character’s goal and who (or what) stands in the way?

Sofia's goal is to become a famous apothecary. A plot to kill the king that gets pinned on her and all the obstacles on her journey to clear her name stand in her way.

9. How does your protagonist change by the end of the novel?

I'm not totally sure yet. She'll definitely learn some humility. She's been riding the high horse of her grandmother's prediction of fame and she will need that knock in the head from reality. She'll learn to trust in herself instead of a prophecy, in her abilities instead of the words of others. 

10. What are your book’s themes? How do you want readers to feel when the story is over?

I think the biggest themes will explore the expectations of our destinies, man's relationship with nature, not judging people based on your assumptions of them, and the importance of believing in yourself. There will definitely be some man vs nature themes too (that's a given for anything I write!). Right now, I'm hoping the overall feel of the book will leave readers with a sense of hope and magic and the desire to pursue their own destinies.

I'M SO EXCITED ABOUT THIS STORY!! 
*cuddles story notebook*  

September in Review

This September marked the 27th anniversary of my Uterus Independence Day. And literally a week later I found two gray hairs. Sunnuva bitc--.... le sigh. 2016 continues to be the dumpster fire of the century, but, on the bright side, I READ SOME BOOKS! I PLAYED SOME GAMES! I SAW SOME MOVIES! Here's my September in review:

Siege and Storm, Ruin and Rising by Leigh Bardugo. 4/10.

I can honestly say I didn't like a single character in this trilogy (except for the one character I wasn't SUPPOSED to like: the Darkling. He was arguably the only character with any kind of depth or complexity)... Alina was, until the very end, a weak and boring protagonist. Most of the characters were very flat and repetitive, serving no real purpose other than to distract us from how much Alina and Mal suck. 

I really don't want to be this harsh, but I felt horribly insulted by these last two books. After such an investment, that I was left with a lackluster ending that felt more like Bardugo had just given up on the series because she must've known wasn't up to par, was like a smack in the face. And how any editor would've let them pass without heavy revisions to give the stories a more solid plot and more dynamic characters, is beyond me, because it had SO. MUCH. POTENTIAL!

I LOVED the world that Bardugo created, I just didn't like the characters she put in or the story we followed within it. It's as simple as that I suppose!  

But I still am astounded by the change in quality from the Grisha Trilogy to Six of Crows. Had I read the Grishas first, I don't know that I would've even given SoC a chance! But I'm so glad I did, and I don't completely regret reading the Grisha Trilogy, just probably won't ever read it again. 

An Ember in the Ashes by Sabaa Tahir. 6/10

I've been meaning to read this for AGES! I follow Sabaa on Twitter and she just seems like such an exemplary example of our species, so I really wanted to read her book. Plus, dat hype train. I wanted on.
And while I DID enjoy the book, I had quite a few issues with it (I'M SORRY, I REALLY AM! I have every bit of confidence that the sequel will find its stride much better though!).

But I'll start with the good first.

Tension.
Sabaa did a FANTASTIC job of building tension throughout--of genuinely making you worry about the safety of the characters (both for the characters themselves and then what they might do to others to achieve their goals). You never feel safe with them and that's really a hard feat to achieve.

The Bad Guys. 
I probably enjoyed the baddies most of all. The Commandant especially. She was so horrendously evil, but you really wondered what made her that way. And her job might've been torturing people and training killers, but DAMN, she was good at it. #BossBitch

The writing. 
No one can say this book wasn't well written. It was. Sabaa has a wonderful style of writing that is both concise and fluid. While she does a lot of telling instead of showing, I still found myself making mental notes of some of her narrative habits and tricks.

The ending. 
OH IT REALLY PICKED UP HERE. SO GOOD. I got to that last chunk of the book and flew through. The pacing and stakes were spot-freaking-on. Much intense. So wow.

Okay, now the bad.
The world building. 
Maybe this is my own fault. When I saw "fantasy" I assumed there would be loads of world building and a wonderfully vibrant story world I could sink my teeth into. This was not the case. A more apt description of the book would me Roman-esque Dystopian. I think then I could've let the lackluster world building slide. I had such a hard time visualizing the book. There was really a lot of telling vs showing and I think that really colored the whole story in gray-tones rather then full-color.

The characters. 
When we first met Laia I kind of assumed she was like, 12. I really struggled throughout the book to believe she was competent or capable enough to do the things she did. There's also a very sudden and rapid growth in her character, but without any real emotional catalyst. In a split second she went from meek and unsure and clumsy to I AIN'T 'FRAID A NO COMMADANT without any REAL trigger for it. There was no "moment." And I really needed that. She felt incredibly out of character by the end of the book without any believable experiences that would've necessitated such a sudden change in her. But she was still okay. I still worried for her life and didn't want her to die, so that's something at least!
Elias started out SO well. This guy genuinely torn between his heart and his duty, something you could REALLY feel at first. But he seemed to quickly lose depth when he started sexualizing every girl he met. His best friend, who he should have had either the utmost respect for or genuine feelings, he instead sexualized and took advantage of.

The romance.
It felt out of place and totally unnecessary. I don't know that it would've changed a damn thing if you scrapped the romance altogether. You could still have every bit of the plot with genuine friendships and moral codes, rather than "Oh he/she's hot, so I'm going to do this."

And, for me, it really undermined Helene's character. And that was the biggest betrayal of all. She started out as this fierce woman, I LOVED HER, but she was very quickly reduced to this sad little girl pining after her best friend. She quickly crumpled emotionally and became much more some pouty teenager and love-struck puppy than the badass soldier she was built up to be by Elias and other characters. As one woman among hundreds of men, she surely would've needed an iron will and ovaries of steel. I was expecting GI Jane and I got sad-sap Sarah. But again, I still held my breath when she was in danger, hopelessly cheering for her.

 All in all, I did enjoy the book. I will absolutely read the sequel. I think it had a potential it didn't quite live up to by being "troped" into the expected formula of YA. But it was a solid read and I think Sabaa will only get better from here.

Far Cry 4: 5/10. Such a solid five. Still fun for about half an hour and then you get to the usual Far Cry humdrum. I'm starting to get sick of the sheer amount of repetitive droll that my 100% completion compulsion is putting me through. Do we really need to pick up all those masks? Do we really need to do all those side quests? YES, DAMN IT, BUT I DON'T WANT TO (but I have to). It's literally just a carbon copy of all the other Far Cry games. When are they going to let me play a female protag?? When do I get to see some man junk instead of lady bits? Hey, Ubisoft, your sexism is really starting to show. 

~Be mindful of the the things that precious time is spent on.~

The Liebster Award!

Beautiful Dragon Mermaid Queen, R.K. Brainerd, (seriously check her out, she's as mythical and amazing as both those creatures) has bestowed upon me THE LIEBSTER AWARD! It's a fun award given by bloggers to fellow bloggers for being positive and encouraging members of the community! 

THE RULES:

1. Share 11 facts about yourself.

2. Answer 11 questions from the blogger who nominated you.

3. Nominate up to 11 bloggers and write 11 questions for them to answer.

I'm not sure I know 11 people with active blogs...uh oh.

MY 11 FACTS OF ME-NESS:

1. I was on a TV game show called Figure-It-Out on Nickelodeon when I was little. Here's the link to the episode. It's no longer viable blackmail, HA! 

2. I've won a cosplay contest! I dressed up as Fionna from Adventure Time (and a friend was Prince Bubblegum) and played the theme song on a ukelele. 

3. I've climbed Mt. Fuji. And the only thing that got me to the top were the stamps you could get branded on to your walking stick at each of the stations. GOTTA CATCH EM ALL! 

4. Speaking of, I still have all of my Pokemon cards, still organized by type and evolution.

5. I'm such a skeptic when it comes to the paranormal, but when I visited Stone Henge while living in England, I could feel an inexplicable energy. It was surreal. And then the hordes of people ruined it. 

6. I've kissed the blarney stone. It's a lot higher up than they tell you and you have to bend over a gaping hole backwards to kiss it. 
 

7. I'm a huge dino nerd. Ever since I saw Jurassic Park in theaters when I was 3 y/o (way to go mom!). My favorite dinosaur is parasaurolophus. 

8. I have reoccurring nightmares about being chased by a t-rex and velociraptors through a football stadium or an elementary school...even though I love dinosaurs...and I'm 27-freaking-years-old. 

9. I sleep talk. Horribly. When I lived in Japan I would teach classes in my sleep. In Japanese. I don't actually know Japanese. 

10. My dad used to drive race cars. He holds a lot of the track records in Florida. My childhood smells like burnt rubber and exhaust fumes.

11. I'm allergic to all these: bananas, honeydew melon, cantaloupe, almonds, avocados, walnuts, and cats. 


And here are my questions from m'lady Brainerd:

1. What’s your biggest regret? (We’re starting off deep here, apparently)
Not finishing SOUL BOUND sooner and querying it when vampires where at the height of the market. I have NO doubt in my mind it would've been snapped up back then.

2. If you could be any animal, what would you be? 

A dolphin, hands down. They have a whole ocean to explore. And they have sex for fun. Hehe. 

3. What’s your dream writing space?

Honestly, I love writing in cafes. I like the hustle and bustle. A table on the second story, next to a window so I can people watch the streets: perfection. 

4. What author are you currently learning from/being inspired by? 

Leigh Bardugo. Six of Crows was a masterful juggling act of a brilliantly diverse and unique cast of characters. I learned so much about balancing character perspectives/personalities and creating dynamics between each of them. 

5. What’s your biggest writer goal you’re working on right now? 

Finishing this new WIP. I'm really enjoying writing it and can't wait to finish, get it edited up nice and purdy, then send it out to CPs and betas! 

6. What’s your biggest life goal you’re working on right now? 

Moving back to England and getting some roots planted. I've been a bit of a wanderer and it's about time I have a stable, consistent life. For a little while anyways ;) 

7. If you could change your eye color, what would you want it to be? Strange colors totally allowed. 

OH OH I LOVE THIS QUESTION! Either two different colored eyes or any shade of grey. Same with my hair! The grey, not the different colors. Don't think I could pull that off...

8. Who’s your current/favorite book boyfriend/girlfriend? 

Inej Ghafa from SIX OF CROWS. We would have late night talks about the world and life and then cuddle. Then she'd teach me how to be an assassin of the night.

9. If you could get one material item right now without having to pay for it, what would it be? 

My own private jet. So I could travel anywhere in the world. 

10. Outside of writing, what’s your dream job? 

Environmental vigilante. Seriously. Sabotaging construction equipment or taking big construction companies to court. Like environmental espionage!

11. Finally, any exciting book release/promotion stuff going on? And if you’re still wandering in unpublished land like me: what’s a recent writing/life epiphany you’ve had? 

That I don't HAVE to get my first novel published. For some reason I had it in my head that if I couldn't get my first (and only) novel agented and published, I had no chance at ever being a published author.



And now for my questions!

1. Where is your favorite place to write? 
2. Who would play your MC if your MS got turned into a movie?
3. Is there a book you will always/happily reread?
4. Is there a genre you would love to write in, but feel you're not ready/equipped for right now?
5. What's the worst part about writing for you?
6. What would be your X-Men name and abilities?
7. Who is/are your favorite book character pairing(s)?
8. Name one guilty-pleasure TV show or book you watch/read.
9. What's your favorite source of writing inspiration/motivation? (Either a quote, or book, or person, or yoga position, whatever does it for you!)
10. If you could co-write a book with one author, who would it be?
11. What's your biggest strength as a writer? (Seriously! Toot your own horn! Toot toot!)


THAT WAS SO FUN! Thank you, Rebekkah! I hope we're all famous authors one day that get to do these kinds of Q&As all the time!